Hola, sigo adelante con el proyecto de ciudad invisible. Hace un par de semanas comenté a la gente con la que coincidí en clase que ando pidiendo fotos de paisaje urbano de cualquier ciudad. Mi intención es con estas colaboraciones mostrar las distintas caras de las ciudades, aquellas que personalmente nos llaman la atención y que tal vez son desconocidas por el resto, al menos, en sensación.
Aqui está mi idea y mi petición. Si quereis enviarme algo ha de ser antes del martes próximo. Gracias, ana
Aqui está mi idea y mi petición. Si quereis enviarme algo ha de ser antes del martes próximo. Gracias, ana
Por otro lado y siguiendo con Projectarte os planteo la siguiente reflexión:
Las referencias pueden ser anteriores, simultáneas o posteriores a la realización de un proyecto.
Yo me encuentro hoy con esta que considero un primo cercano a nuestro proyecto. ¿Qué os parece? (Salvo que ésta tiene lugar en Nueva York patrocinada por Hans Ulrich Obrist y Vito Acconci... (El lunes pondré una entrada sobre las presentaciones que comienzan el jueves por si alguno, a estas alturas, tiene dudas). Un saludo, Lila (leer más)
Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known. But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Starting on Saturday, April 11th, the book project Unbuilt Roads: 107 Unrealized Projects has been on view as a public archive at e-flux. Bringing together descriptions of unrealized projects by 107 artists, the selection constitutes the result of several years of international research conducted in the late 90s by Obrist and Guy Tortosa. The exhibition will remain on view through Saturday, May 16th.
Though the state of being unrealized implies the potential for realization, not all of the 107 projects were meant be carried out. Certain works have deliberately been left undone by the artists, although they have "failed" in very interesting ways. Other planned projects involve consciously utopian, non-utilitarian, and conceptual spaces that were not made available for realization. Whether censored, forgotten, postponed, impossible, or rejected, these unrealized projects form a unique testament to the speculative power of non-action. As Joel Fisher suggested in his essay "The Success of Failure," "The failures of big ideas are sometimes more impressive than the successes of little ones."
Though the state of being unrealized implies the potential for realization, not all of the 107 projects were meant be carried out. Certain works have deliberately been left undone by the artists, although they have "failed" in very interesting ways. Other planned projects involve consciously utopian, non-utilitarian, and conceptual spaces that were not made available for realization. Whether censored, forgotten, postponed, impossible, or rejected, these unrealized projects form a unique testament to the speculative power of non-action. As Joel Fisher suggested in his essay "The Success of Failure," "The failures of big ideas are sometimes more impressive than the successes of little ones."
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